What a ton of work but man-oh-man, when it begins to work the way you envisioned it, it is beautiful.
It is addictive.
It is all consuming.
Or maybe I am a bit OCD and once I find something I really like, I jump in with both feet.
Both hands.
Silk fabric.
Cotton fabric.
Organza.
Watercolor paper.
Handmade paper.
Bristol Vellum paper.
(you get the picture??)
Here are a few pieces that I ooh'ed and ahhh'ed over when they came out of my caldron.
300 lb hot press watercolor paper |
300 lb hot press watercolor paper |
110 lb Exact Index paper with beautiful muted colors and embossed areas from the thicker leaves. |
110 lb Exact Index paper with the same muted colors and embossed areas. |
Well -except eucalyptus...silk fabric not only accepts the color from the eucalyptus, it revels in the marriage of the two.
The first few times that I tried dyeing or printing with eucalyptus were disappointing.
Only pale yellows, maybe a hint of green.
The following one is on linen. While I do like the pale colors, I was really looking for the bold orange-ish color that I had seen other natural dyers obtain.
Then I began to break away from what I was reading and started doing things the way that I usually do...
the mad scientist way.
I combined a bit of information from this book, or this book, a little from a variety of blogs that I found, threw in a dash of (my) logic and the colors began changing a little bit.
Look! Look! I see a little bit of color change going on! |
1 comment:
oooo! Awesome experiment! I really likey! By the way, I made it up to see your exhibit at the Old Forge Art Center this past week. All the art was great but I tend to like your work the best!
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