Drawing on the Road

Not to be confused with sidewalk art...
Not that  I have actually drawn ON the road...
but while on the road...

Never mind.

This is a small-ish handmade book that I have been working in.
It's the one that I carry in my bag when I go to ballgames and/or appointments where I know that I will have time to draw a little bit.
I painted the left hand page before the book was bound.
I drew on the right hand page after binding,
sitting at a basketball game.
I used Pitt Artist Pens to draw and a travel watercolor kit to paint.
You really can create artwork anywhere...
I did a post over at the "Sketchbook Challenge" blog that tells exactly which pens, paper and paint that I use in most of my journals and sketchbooks.
I do not receive any compensation for recommending these products, I use them because I love them and I am used to working with them.
You could check it out if you're interested.
I will occasionally switch things around but usually use the same three basic supplies when I sketch/draw.
I talk about those things in the article, um post.
Tomorrow I will be sharing a new drawing that I am working on.
Check back then!

Prizes! Prizes!

Don't forget to go to the Sketchbook Challenge site on Flickr before the month ends!

Here are the directions on how to use the Flickr site.

If you tag ONE of your January sketchbook page uploads with the special code (jan246) (only tag ONE photo!)
you'll be entered to win some fabulous prizes!

Do it today!

Textured Journal/Sketchbook Pages

I posted yesterday about adding texture to cheap canvas fabric to jazz it up a bit.

Today I'd like to address paper as a different substrate to use with your molding paste.

I almost always use the Exact Vellum Bristol paper (67 pound) paper from Wausau. I also use a 110 pound paper from the same company. I am constantly amazed at just how much abuse the 67 weight paper can take! I wet it, emboss it (thank you Nancy!), texturize it, paint it, write on it, sew on it and just generally love the heck out of it - and it still holds up!

Today this is what I have done so far.

I added a layer of light molding paste, using my fingertips and palate knife to add texture to it.

Let this dry completely.

I noticed that, on a couple of areas of the page I had added more molding paste than others areas, causing the page to become wavy. This doesn't always bother me in my sketchbooks/journals but this day it did.

So I grabbed another page of the same paper and stitched them together. I also stitched around each indiviual section of the folded page to add more interest. This would later prove to be a great design bonus.

I used my Golden Fluid Acrylic Paints to make a wash. I applied the first color in a very random manner. It really doesn't matter with the color combo that I used which one goes on first, as I went over the entire page a couple of times. In this example, I used Phthalo Blue(Green Shade) and Phthalo Green(Blue Shade). There are a couple of areas that you may be able to see a shimmery sheen on the front of the page. These areas have a little bit of a pearlescent liquid acrylic ink. The color is "waterfall green". Like I said, I like to use whatever is within reach on my studio table...

You can see the machine stitching on the page as well. I use the stitch as a drawing tool. It's not necessarily about the actual sewing process but the texture that the stitch provides for me.

Here is where the bonus of adding the stitch BEFORE painting comes in -

Look at how the paint has seeped through the holes made by the needle and thread! Isn't that a great look for the back of that page?!  I like it. 

I hope that I can remember this in the future and use it in a more conscious manner instead of accidently benefiting from it...

Although that is nice too!

Texture on Fabric

There are a lot of different ways to obtain texture on fabric. I've been experimenting (again) with different mediums.

Below are several photos of the results.

I started out with a medium weight canvas fabric. Cheap canvas. No need to experiment with the expensive stuff, huh?

I applied a thin to medium coat (apx.1/16" to 1/8") of molding paste and used different "tools" (i.e. fingers, baby wipes, crunched up paper) to obtain the texture on the wet paste.

Let this dry.

I used various Golden fluid acrylic paints to add washes of color.

Click on the pictures to see the detail.

It's just awesome to see how much texture you can get and how the paint really catches on the hills and valleys of the molding paste. I used "light" molding paste so I could sew through it later.

And yes, your machine can handle it ...  as long as it not TOO thick... and it would probably sew through a lot more than what you think anyway. (My hubby  just has to clean the machine a little more frequently)

You can see the frayed edges of the canvas material in this photo.

Here's a close-up of one section of the piece. I just love the colors!

This next photo is of a piece of paper that I used.  I actually started out covering paper and switched to fabric. The results will be just about the same with either one. I use paper and fabric interchangeably in my work anyway.

This is the same narrow piece of fabric from above.

My favorite area is in the center of it . The texture is just amazing,

as well as the flexibility of the entire piece of fabric!

I hope this will encourage you to experiment with different ways to approach your art making.

You just have to be willing to ask yourself this question

"Gee, I wonder what would happen if I did this?"



Left handed Birds

Now, who has ever heard of a left handed bird?!

Me either...

What I meant was that I drew these birds using my left hand (non dominant).

I saw where Jane LaFazio and her art buds posted pictures of drawings that they did of each other using their non dominant hand...

I thought I'd post the little birdies that I drew on my recent trip to Nashville.

The wobble-ness in a couple of the sketches could be the bumpy road -

or it could be my left hand drawing wobble-ness.

Either way, here ya go.

Left hand Birds.

Making It Your Own

You always hear people saying "Make it your own..."

That means taking something that you see, that you like

and

using the inspiration from it to draw your own interpretation of it.

Like this tree I drew.

It was inspired by this tree from the latest Papaya catalog.

Not exactly like it but close-

It has the "flavor" of the Papaya (catalog) tree.

I looked for the artist of this piece but couldn't find it in the catalog.

I love the shape of the tree.

So, find something that you love-

a shape, a color, a texture-

and create a piece of art from it.

But, make it your own.

Pen, Paper and Ligers

My husband and I drove to Nashville TN this past weekend for the NCAA Umpire Clinic.

He is a college baseball umpire.

I had several hours of riding time to entertain myself (as well as my sweetie!).

I have thought about the "Sketchbook Challenge" quite a bit the last couple of weeks.

Thinking of this month's theme by Jill Berry.

"Highly Prized".

Even though my family is my most highly prized treasure,

I was trying to think of other things that were highly prized.

One of the things we humans tend to prize is animals.

Both domestic and wild.

My thoughts ran to the big cats.

Those big, beautiful cats.

I love to watch them on television.

Read about them.

Look at pictures of them.

So, one of the things that I am drawing in my sketchbook is a Big Cat.

And, in true Callie (my nickname) fashion-

It's probably not going to be a traditional looking lion or tiger but, well, maybe a liger.

Below is the basic drawing that I started with.

Now, notice that it's a very simple little sketch or drawing.

No details, just plain. This is exactly how I begin all my drawings.

Very simple with clean lines.

I begin adding details, dots and lines that appear rather random.

I often use dots as a method to shade. My son (who is an awesome artist) uses a lot of cross hatching. He says that it covers more space and is much quicker than my beloved little dot.

I'm sure he is right, but I sure do love the dot, dot, dot...

Look below to see half of my drawing all detailed.

All tricked out.

Just for comparison sake, here is the entire page of the sketchbook. I've left space at the top of the page to do more drawing or to write...

maybe I'll finish the entire drawing...

maybe not.

I have another post going up on the "Sketchbook Challenge" tomorrow.

Be sure and check in at the site everyday!

We have another artist interview up today.

Cas Holmes, author of "The Found Object in Textile Art".

I don't have her book but am planning on checking it out after reading the interview.

I hope that you all are doing well.

We're back home (Piedmont SC) with about 7 inches of fluffy snow.

Vidoe Tutorial

Check out the first video in a series by Melanie Testa
over at the Sketchbook Challenge blog!

I was remiss in posting an entry the first of the month
announcing the very first theme in our new challenge.

Check this post out -
"Highly Prized" is the theme by Jill Berry.

Don't forget to join the Flicker site and follow these instructions to win really awesome prizes!

Revisiting an Old Friend

A few blog posts ago,

I was strung out on sewing with some of the fabric I made with

deconstructive screen printing.

I neglected to post the last piece that I made during that whirl of inspiration.

I didn't want to use the pieces of fabric with bold colors

on the smaller items that I was making (I'm saving them for a bigger bag!)

but I had a couple of pieces of fabric that had very pale colors

that would be great for a small bag.

I used one piece of pale fabric

along with a scrap of hand dyed batik

(and batting of course) to make my quilt sandwich.

I did some free motion quilting along with a poppy shape

(I know! I know! I'm trying to wean off that shape...)

and a little odd shaped leaf motif.

I rolled white paint (along with textile medium)

onto the back side of the quilted area.

I wasn't sure which side I would like the best

but at this point I was just experimenting.

I painted the poppy and leaf shapes

with a colored textile paint

to make them pop.

After deciding (okay - agonizing) over which side I liked the best,

I made a very simple bag shape.

I added a binding around the top edge and zig zagged the inside seams.

Then I added some shiny beads (for the magpie in me)

and hand stitching along the top edge.

I plan on going back and adding a button and loop closure

and maybe a carrying strap later.

It's a great size for my field sketching/watercolor set

and I plan on using it for that.

In this photo you can see

that it could almost be reversible with the

painting on both sides.

I love the color combinations.

I also love the marks on the side of this

that were made with the deconstructive screen printing method.

I think that I will definitely be doing more of this in the future.

See how the stitch lines show up so well when you roll paint on top of your quilted fabric?

If you're like me and you're afraid that you will mess up a large quilted item,

why don't you experiment with a small piece like I did?

Here is the front of the small bag

(which, btw, measures about 5 1/2"x7" and is apx.1" deep)

with my awkward stitching on it.

I'm not very good at free motion quilting

but practice really does make a difference.

Won't you try something new this year?

Try combining several art forms into one...

I used screen printing, sketching (or drawing), art quilting,

fabric painting and sewing.

Oh, beading and hand embroidery.

I hope that you will exercise your creativity

on a daily basis this year.

I plan on doing just that.

Cleaning up Your Art Making Equipment...

This evening I was sewing away, making my sketchbook for the "Sketchbook Challenge"
(yeah, I finally made my mind up on which one to use - a new one!)  when I broke a needle.

Drat!

Put in a new one.

Change to a heavier thread (I'm trying to be breve with thread this year!) (I was trying an embroidery thread) when I broke another needle.

Darn!

Change the needle, try a different type this time.

Noticed that my stitch wasn't "right".

Re thread, try again.

It still didn't look quite right so I thought I'd take a look under my throat plate...

Now, my sweetie keeps my machine clean for me - he does a great job too

but I've been so busy the past few months making books that I've been a little slack in asking him to clean it for me.

I've been sewing paper, upholstery fabric, heavy coated fabric, leather...you get the picture.

So I looked under the plate and

EEEEWWWHHHAAA!

Dust, paper dust, fabric dust, dust bunnies and their extended families!

I called my handy man in to help me.

I told him that I had been sewing paper.

And heavy upholstery fabric.

And coated fabric.

I'm standing there watching him clean my dirty, dirty machine and I saw this whitish ...um, particle stuff around the bobbin case.

I asked "Eww. What is that?"

Sweetie "I don't know baby. It looks like plastic."

Silence for about 10 seconds.

Me "Well, I have been sewing plastic too."

Laughter...

The moral of this story is that if you sew all those things on your sewing machine
you really should clean it REGULARLY.

Frequently.

(Addendum - after the extensive cleaning she is sewing great!)

Happy New Year!

Texture, Wine and Other Studio Work

I've been working on a few different things this week.

Not many "big" things,

little things here and there.

I've spent some time just resting...

taking it easy.

A good thing to do in the winter, huh?

I am participating in the "Sketchbook Challenge"

(which begins in TWO DAYS!)

I was trying to decide which book to use as my sketchbook for that

and just couldn't make my mind up...

So I finally just started making a new one!

Here are a few photos of what was going to be the front and back cover

(until I changed my mind).

I did want to share the awesome texture that is on the pages.

I put a layer of soft gel down on the page and created the texture with different

items from my studio - pencils, combs, pill bottle top, etc...

Then I added different watered down acrylic paints,

some inks and a tad of watercolor paint.

You can really see the marks that the pill bottle made

when you add the darker ink to the page.

Oh, I had a glass of  the Washington Riesling wine we made last month-

that was bottled in a Yellow Tail Sparkling Wine bottle...

I removed the sticker from the bottle.

See it below.

I let this dry overnight and then coated the pages

with another layer of soft gel.

I added a few marks to this layer as well.

This thing below is what could be the new sketchbook cover...

maybe...

It's still wet at this point.

I don't know if it's the weather or what

but I can't seem to make my mind up about anything this week...

 

Sketchbook Challenge Give Away!

I thought I'd take a minute to post pictures of the January prize packages on the "Sketchbook Challenge" blog.

Interweave, Golden Artist Colors and Violette

have all donated these items to be given away.

Check this blog post for details on how you can participate!

White Christmas

2010 Christmas Night

This is the first White Christmas in South Carolina since 1963.

47 years.

Merry Christmas to all.

Humbags

What is it about having a list of things that you should be doing

that makes you want to do things that you shouldn't be doing?

I seem to have that problem...

I was supposed to be putting finishing touches on Christmas gifts,

cleaning house and doing some laundry.

Instead I picked up a few pieces of fabric that I had worked on a couple of months ago

with the Fiber Freaks.

Deconstructive screen printing fabric.

Yummy.

I saw a video of Laura Kemshall (Design Matters TV) making

a "humbug purse" from quilted scraps.

(I call it a "humbag")

The colors of her bag reminded me of the screen prints that I had done.

Bingo...

That's all it took.

I rummaged around in the room that used to be my studio

(that is presently taped off due to some type of implosion)

and found the smallest of the prints.

I made up some quick quilt sandwiches and

zipped through some (messy) free motion quilting.

Did a little fabric painting in a couple of places and

viola!

Look at this wonky cool bag!

I even put a zipper in it.

And I hate putting in zippers...

But, that wasn't all!

I couldn't stop (as usual!) myself.

I had to make another deconstructive screen printed, quilted, fabric painted pen case.

This one is a little more conventional than the triangle one...

You can barely see the marks from the screen printing

so I added larger quilted images.

I used Lumiere fabric paint (copper) and Stewart Gill "Alchemy" (celestial).

I have never used the Stewart Gill interference paint before

and I LOVE it!

The color I used is so bold. 

It does not change the hand of the fabric like some of the fabric paints I've used

and is really easy to use.

Yeah, did you see that I put a zipper in that case too!?

A record for me I'm sure.

Two zippers...

two days...

Several chores ignored...(not a record).

MMA Team Treasury!

I have a listing on Etsy for "Rust Media Packs" that contains all types of different pieces of rusted fibers and fabric.
It has been chosen for a Mixed Media Art team treasury.
Run over and have a peek at the other verrrry interesting items that our "Mixed Media Art Team" has listed on Etsy!
Hope that all of you are staying warm (it's rather cold here in upstate SC) and being creative
on this 21st day of December...

Fiber Freaks

I traveled up to Fletcher NC last Thursday to my buddy Judy Simmons house for a holiday get together with my "Fiber Junkies" group (that my sweetie calls "Fiber Freaks") (gee, wonder why?!).
What a great time we had!
I'll direct you to Mary Stori's blog for pics and details since I can't seem to manage my time well enough to carve out a few extra minutes to do all of that...
Wonderful food, great company and awesome fiber work.

I can't encourage you enough to spend time with like minded people.
If you don't have a group close to you then find one - or better yet,
Create One!
It is always so inspiring to spend time with other artists - and it doesn't really matter if they create the same type of art as you...
it's that creative personality.
I hang out with a bunch of potters, sculptors, painters and fiber freaks...
and I love them all!

Sketchbook Pages

I've been looking at a couple of sourcebooks,

looking for different ideas for the whimsical doodles that I tend to draw.

I also use them for stencil ideas as well.

I've scanned a double page in my sketchbook to share what my "working" sketchbook houses.

This sketchbook is my "go to" for design work.

It has thicker pages, it's easily crammed, um, I mean placed in my "art bag"

and lots of pages.

I also like the hardback cover...

since I do tend to be a little rough with my sketchbooks.

The page on the left is a design idea from a sourcebook.

I think it will make a lovely background stencil or drawing.

The right hand page has a couple of ideas for Christmas gifts that I am making.

One of my favorite cool weather clothing items is a scarf.

And I love having a few that are one of a kind.

I'm hoping that the females in my family will feel the same way!

I hope that everyone is having a good week.

I'll bet this weekend will be busy crazy for everyone.

I still can't believe that it's almost Christmas again...

The rest of the story

I had the occasion to visit yet another doctor office today - yes,

imagine that...a nice  longggg visit to my eye doctor's office.

Nothing like a two hour office visit to help one in completing another "Holiday Animal" drawing!

I started this little rascal on Monday and he was just screaming for the rest of his body today.

Plus a few nice spots.

Who would have thought that he had a goatee AND spots?!

But you see - indeed he does!

This is the  animal that crawled from t he facing page.

I actually began drawing him after they put those drops in my eyes to dilate them.

I think that I should have stopped drawing a little sooner than I did...

I may have a few lines that missed their place.

But I still love her sweet smile.

Oh wait, "she" may have a goatee also!

Oh my...

I may have to go back and make the goatee a winter scarf.

Because it's obvious that she is a "she".

Holiday Animals

I always encourage everyone to carry their sketchbook

(or some type of paper that you can draw on) every where you go.

Especially to places like doctor appointments!

You never know when you will have to wait...like an hour or more.

Yikes!

The only reason I can sit there that long

is because I entertain myself with my sketchbook.

Look at what forced their way onto the pages today.

And I really had this cool tree drawing planned...

those Holiday Animals refuse to be ignored, don't they?

"Lonely Tree"

9' x 12"

Mixed Media on collage background

$205

This is a mixed media painting that I did this fall.

I have gone back and added an edit to this post.
I originally did not add the meaning behind this painting.
I decided to just put it out there with the painting as it is the reason for it.

This fall, my mother in law passed away.
I watched my father in law those days after she died.
 I spent a lot of time gazing out the back window at their house, looking across the open field...
lost in thought.
As I looked out that window, I could see a line of trees.
One of them was bent in the wind a little,
much like my father in law was - bent in the weight of his wife's death.

I started drawing the tree in my sketchbook at first.
I was obsessed with the shape, with the meaning I had attached to that tree.
The only way that I could get it out of my head was to give in to it and paint it.
And it really helped me to work through the grief of my friends passing.

Jenny Doh can you hear that?
Art DOES save.

 I used vintage book pages, tissue paper from my grandmothers patterns and old hymn books.

The tree is painted in acrylics and watercolors

and then detailed with India Ink.

I love how the vintage papers peek through the background.

It really gives it a lot of dimension and texture.

Email me if you're interested in purchasing this.

Flickr Photos

I added  several photos to my Flickr site this morning.

Most of them are sketchbook and/or art journal pages.

If you click on the blog post title, it will take you to my collection of photos.

This is a two page spread from my small Moleskein journal.
 I carry it in my pocket or purse in case I have a minute to draw or if I'm hit with inspiration for something.

I have to write things down or do a quick sketch or I'll forget it by the time I get home.
Who am I fooling ...?
 I'll forget it by the time I take two steps!

My number one tip for becoming more inspired?

Do something creative every day!

Whether its drawing, painting, sewing, crafting, sculpting, or simply shuffling through colorful paint chips -
do something to get your creative juices flowing.
If you do something like this everyday, it will soon become a habit.

And you can't lose when your habit is creativity.

The Sketchbook Challenge

I have the immense pleasure of announcing a new kid on the block!

A new blog, a new challenge each month, a new artist each month...

I've been invited to join several other artists (16, I think) in "The Sketchbook Challenge" beginning Jan.1, 2011.

We're going to be talking about our sketchbooks, how we do what we do, what tools we use, why we use them, tips for inspiration, techniques for pages...
all sorts of great information!

Each month a different artist will give a new theme for the month.
As the month goes along, all the artists will upload photos of their personal sketchbooks to show how we interpret the theme, what tools we used, maybe how we came up with our artwork...
you know - all those little bits of info that we all wish we had the inside scoop on!

We would all love it if you would play along with us.
Go here and sign up to follow the blog.
Beginning 1-1-2011, we will all find out about the theme of the month.

We're going to have tutorials through the month.
We have new sponsors joining up with us, all ready for great give aways -
Just For You!

I am super excited about this opportunity to share my sketchbook secrets with you.
And wait until you see the other artists that have signed on to share their secrets as well!

The Green Fan (Girl of Toledo Spain)

I had posted earlier about a book that I was working on and forgot to add photos of the completed book.

I will do that today.

I used a photo of one of my favorite paintings (see this this post).

I printed it out on a nubby fabric (some type of poly blend I think) (it was a cheap sheer curtain fabric from my mom's house) and then built the front of the cover around it.

You can see from this picture that I added a bit of hand dyed lace to the sides , to create a spine wrap of sorts.

 Ah, this is where the photo of the front of the book went!
I have changed the template of my blog and am still learning how to work in it,
just when I had gotten so used to the previous template.

repeat -
change is good...
change is good...

 On the inside of the book cover, I placed an old doily that I made.
It really coordinated well with all the other fabrics so I donated it to the cause.
A scrappy "signature wrap" (I learned this from DJ Pettitt) snuggles all the pages of the book together.

 And I just love the back cover of this book!
I've used a combo of several acrylic mediums to create a leather like substance. I then used a mix of water and acrylic mediums to color it.
A series of paint, dry.
Paint, dry.
Repeat until your OCD is soothed...
Or you get distracted by sanding it...

And there you have it, another cool book!
I hope that I can take these books with me to Asheville tomorrow - well, what I really meant to say was that I hope I get to go to Asheville (NC) tomorrow for the monthly Fiber Art Alliance meeting.
The schools are closed there today - snow, black ice - you know that sort of nasty winter weather.
If I get to go tomorrow - I will carry the new books to show and tell. I'm sure that my fiber and book lovin' peeps will like them!
Say creative my friends.

The "Black and White with a Touch of Red" Book

I've been completely taken with making these small books for the last week or two.
I am learning so many things about what I can get away with  elements of design and construction while doing this.
I think that everyone should work on the same type of project for a length of time to fully flesh out your ideas and allow the project to have its way with you.

If you're like me, the more I screw things up, I mean the more "great ideas" I have, the more opportunites for fixing those "great ideas" there are.
Some of my best work is the result of a really "great idea"...!
The moral of that story is to do enough work that you mess up a lot.
This is the only way to grow in creating artwork - no matter what the medium is.

You MUST get in the studio and play!

This is the book that is patiently wating for its pages.
I'm painting a group of them just for this little book.

I've used one of my pen and ink drawings to create the cover.
A neighbor gave me some leather scraps that he had and I'm using one of them as the cover base.
I'll use this book as a sample in one of my upcoming book making classes.

Don't you love the glass bead/button that a friend of mine gave me?
It's the perfect embellishment for the poppy drawing on the cover -
 it repeats the circular shape and the lines on the inside of a couple of them.

You just have to keep looking through your stash of things (and other folks stash!) until you find the "perfect thing" that will elevate your artwork. You don't want to rush through it , adding embellishments or marks that distract from it instead of adding to it.
Learn to give your work time to evolve - it may take a while but it's really worth.